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Drummers Of The Swing Jazz Era
By Victor Epand

  Rock and roll artists have a tendency to think that they invented the concept of rebellion. That before their genre came along, everything was goody-two-shoes and Miss Manners. What they forget is that the music industry has always been a place of innovation a source of social uproar. Even the waltz, when it was first introduced, was considered an outrage at first because of how close couples had to get to dance to it! Yes, rock and roll artists are just following in the industry's grand tradition of scandal, a tradition that at no time has been more prevalent than in the era of swing jazz, or swing music. In its day, swing music was the ultimate revolution, a violent break from the Charleston of the previous decade. Swing music was characterized by a strong rhythmic drive and, and the bands that played it were anchored by equally strong rhythmic sections. Such sections tended to be led by drummers whose personalities were as big as their music, and a number of the jazz drummers of swing remain legends even today.


Sonny Greer (1895-1982) is
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Jazz Music - History and Facts Revealed
By Sayid Aksa

  The 20th century music world has seen the entry of light and easy listening music with African-American jazz music. Originating in southern USA, jazz music is a combination of African and European music traditions. It puts together the use of blue notes, improvisation, syncopation and swing notes.


Jazz music was first used in reference to music from Chicago early in the 20th century. It has evolved in several other subgenres such as New Orleans Dixieland, big band-style swing, bebop, Afro-Cuban jazz, Brazilian jazz, jazz-rock fusion, and the more recent acid jazz.

The realm of jazz music was and still is predominantly associated with the American black community. These black musicians transitioning from banjos and tambourines learned to play European instruments such as the violin. Black slaves from early America used to sing and play music as a form of spiritual or ritualistic hymns.

After emancipation, employment opportunities for black slaves were very limited as segregation laws were still in force. Most of these black slaves found themselves in the entertainment industry as piano players and instrumentalists. They became low-cost entertainers as
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